Posts Tagged → The Head and the Heart
Our fave ACL sets
Here at Front Gate Tickets we worked really hard during this year’s Austin City Limits Festival but we ALSO played really hard. We met some celebs, worked the box office like WHOA and generally sweated our tushes off… oh, and we saw some super rad bands!
A few of us put together short lists of our absolute most FAVE performances of the whole festival. We didn’t get to see EVERY show (we did have to work after all!) but we did manage to squeeze in some killer sets.
Jeff Kreinik – Director of Sales and Marketing
- Gomez
- Coldplay
- Empire of the Sun
- Hayes Carll
Shrie Spangler – Marketing Assistant and Community Manager
- TV on the Radio
- Phosphorescent
- Wanda Jackson
- Skrillex
Jamie Keyes – Ticketing Assistant
- Gillian Welch
- MilkDrive
Foster Jordan – Developer
- Mariachi El Bronx
- Bells of Joy
Brendan Moore – Product Manager
- The Head and the Heart
- Fitz & the Tantrums
- TV on the Radio
- Fleet Foxes
- Christian Bale (did you see him too!?)
Dean Mono – Web Developer
- Beardyman
- My Morning Jacket
- Fleet Foxes
- Fitz & the Tantrums
- Christian Bale!
What were YOUR absolute fave sets of the whole festival? Check out our Flickr page to see more photos of the fest, and our Facebook and Twitter pages to read our recaps of celeb sightings and other festival fun!
Jon Russell of the Head and the Heart attacks sound technician
Seattle indie folk-pop darlings The Head and the Heart have made quite a splash lately, and not just in their comfort zone of the northwest. Joy-seeking folk-loving listeners all across the country have fallen for their earnest vocal harmonies, tinkling piano interludes and effervescent charm. Their 2009 self-released debut (packaged in handmade denim sleeves and handed out at shows) blew up via word of mouth and some positive local press, and they’ve been on the upwards climb ever since.
But that lucky streak may be about to come to an end, all because of lead singer Jon Russell’s “uncharacteristic” bout of rage when he clobbered a sound technician at the Tractor Tavern in Seattle. Acclaimed sound engineer Doug Krebs posted on his Facebook page an account of the happening:
… Last Tuesday night I was violently attacked by the lead singer of this band, Jon Russell. This was after a performance he attended of his recent tourmates’… He did not know who I was—this could have happened to anyone. This attack was without any provocation… After approaching me at my work station and rudely accusing me of not being attentive or qualified for my job (which everyone in attendance refutes completely) I calmly asked him to leave. He angrily demanded to know what my name was. I told him I was not going to talk with him and asked him to leave once more. Thinking it was over, I went back to resetting the board. Out of nowhere he attacked me and began to choke me, pulling me out of the sound booth and digging his fingernails into the back of my neck while pushing his thumbs into the front of my throat. After his friends noticed he was attacking me, they grabbed him and removed him from the club kicking and screaming. All of his friends apologized profusely saying he has a bad temper and was intoxicated.
This unfortunate incident is particularly interesting considering the recent assault involving Seattle hip hop group Mad Rad. Eric Grandy of the Seattle Weekly chimes in with his thoughts on both incidences, their differences and what he thinks Seattle should do.
Both of these happenings raise several questions about the state of artists, attitudes, success and behaviors. Will The Head and the Heart get banned from multiple Seattle clubs (banding together in solidarity for one of their own) like Mad Rad did? Or will they suffer a much lesser punishment, purportedly based on the fact that they aren’t brazen impetuous rappers?
Krebs is more worried about Russell than angry, and good for him for taking that stance. But someone needs to hold him accountable for his behavior, drunk or not. And more importantly… is this behavior something we should get used to? Their music aside, it seems as if The Head and the Heart have got some re-evaluating, and re-imaging, to do.







